INTRODUCTION:
(Chair: Conn Mulvihill)
8.45 `Official Opening'
SESSION I: MULTIMODAL COMMUNICATION INTERFACES
(Chair: John Gurney)
9.00 `Gaze and its meanings in animated faces'
Isabella Poggi*, Nicoletta Pezzato*, and Catherine Pelachaud**
*Dipartimento di Linguistics,
Universita' di Roma Tre, Rome, ITALY &
**Dipartimento di Informatica e Sistemistica,
Universita' di Roma "La Sapienza", Rome, ITALY
9.30 `Look where you're going'
John Gurney and Elizabeth Klipple
ARL, Adelphi Laboratory Center, Adelphi, Maryland, US
10.00 `Aesthetic forms of expression as information delivery units'
Paul Nemirovsky and Glorianna Davenport
Interactive Cinema Group, MIT Media Laboratory, Cambridge, MA, US
10.30 Refreshments Break
SESSION II: MULTIMODAL COMMUNICATION & MUSIC
(Chair: Alain Bonardi)
11.00 `Multimodal communication and the conductor's face'
Isabella Poggi and Mara Mastropasqua
Dipartimento di Linguistics,
Universite di Roma Tre, Rome, ITALY
11.30 `How do interactive virtual operas shift relationships
between music, text and image?'
Alain Bonardi and Francis Rousseaux
Universite Paris IV-Sorbonne, Versailles, FRANCE &
Universite de Reims, Paris, FRANCE
12.00 LUNCH
INVITED TALK I:
(Chair: Micheal Colhoun)
2.00 `The respective roles of conscious and subconscious processes
for interpreting language and music'
G/erard Sabah
LIMSI-CNRS, Orsay, FRANCE
SESSION III: MULTIMODAL SYSTEM FORMALISMS & ARCHITECTURES
(Chair: John Connolly)
3.00 `Let's improvise together a testbed for a formalism
in language vision and sounds integration'
Riccardo Antonini
Consorzio Roma Ricerche,
Universit\a di Roma ``Tor Vergata'', Rome, ITALY
3.30 `Multimedia integration: a system-theoretic perspective'
John Connolly
Department of Computer Science,
Loughborough University, Loughborough, ENGLAND
4.00 Refreshments break
INVITED TALK II:
(Chair: Paul Mc Kevitt)
4.30 `Communicative rhythm in gesture and speech'
Ipke Wachsmuth
Faculty of Technology,
University of Bielefeld, GERMANY
SESSION IV: LANGUAGE & VISION
(Chair: Paul Mc Kevitt)
5.30 `Visualising lexical prosodic representations for speech applications'
Julie Carson-Berndsen and Dafydd Gibbon
Department of Computer Science,
University College Dublin, IRELAND &
Fakultat f. Ling. & Lit.,
Universitat Bielefeld, GERMANY
6.00 `Dr. Divago: searching for new ideas in a multi-domain environment'
Francisco Camara Pereira and Amilcar Cardoso
Departamento de Engenharia Informatica,
Polo II da Universidade de Coimbra, Coimbra, PORTUGAL
6.30 `Affective MultiModal interaction with a 3D agent'
*Tom Broendsted, **Thomas Dorf Nielsen & **Sergio Ortega,
*Center For PersonKommunikation,
Aalborg University, DENMARK &
**IntelliMedia 2000+,
Aalborg University, DENMARK
7.00 `CHAMELEON: a general platform for performing intellimedia'
Paul Mc Kevitt
Center For PersonKommunikation,
Aalborg University, DENMARK
8.00 Workshop Reception
9.00 `Auditory structuring in explaining dyslexia'
Kai Karma
Sibelius Academy, Helsinki, FINLAND
9.30 `Tonality in Irish traditional music'
Se/an /O Nuall/ain
School of Computer Applications,
Dublin City University, Dublin, IRELAND
10.00 `A comparative review of priming effects in language and music'
Barbara Tillmann and Emmanuel Bigand
Universite de Bourgogne LEAD-CNRS, Dijon, FRANCE
10.30 Refreshments break
INVITED TALK III:
(Chair: Seán Ó Nualláin)
11.00 `The computer and the violin'
Stephen Nachmanovitch
Free Play Productions, Los Angeles, US
12.00 LUNCH
SESSION VI: LANGUAGE & MUSIC (SEMANTICS)
(Chair: Jean Callaghan)
1.00 `Expression, content and meaning in language and music:
an integrated semiotic analysis'
Jean Callaghan and Ed McDonald
School of Contemporary Arts,
University of Western Sydney, Nepean, Kingswood, NSW, AUSTRALIA &
The Department of English Language and Literature,
National University of Singapore, SINGAPORE
1.30 `Music and language: metaphor and causation'
Niall Griffith
Department of Computer Science and Information Systems,
University of Limerick, IRELAND
SESSION VII: SYNAESTHESIA
(Chair: Sean A. Day)
2.00 `Synaesthesia and knowing'
John Gammack
School of Information Technology,
Murdoch University, Perth, Western Australia, AUSTRALIA
2.30 `Prometheus (Scriabin+Kandinsky)'
I.L. Vanechkina and B. Galeyev
Prometei Institute, Kazan, RUSSIA
(** this paper presented by Sean A. Day **)
3.00 `Synaesthesia as the manifestation of non-verbal thinking'
Bulat Galeyev
Prometei Institute, Kazan, RUSSIA
(** this paper presented by Sean A. Day **)
3.30 `What synaesthesia is (and is not)'
Sean A. Day
Department of English,
National Central University, TAIWAN
4.00 Refreshments break
INVITED TALK IV (SOFTWARE DEMO):
(Chair: Seán Ó Nualláin)
4.30 `Visual music tone painter (synesthesia software)'
Stephen Nachmanovitch
Free Play Productions, Los Angeles, US
SESSION VIII: CREATIVITY I
(Chair: Paul. W. Hodgson)
5.30 `h2g2: The Hitch Hiker's Guide to the Galaxy'
S.B. Christenen and A.L. Cohen
IntelliMedia-2000+,
Aalborg University, DENMARK
6.00 `Modelling creative cognition through evolution'
Paul. W. Hodgson
Future Technologies Group,
British Telecom Laboratories, Martlesham Heath, Ipswich, ENGLAND
7.00 Workshop Banquet
9.30 `Mexican diction as observed in the Tarahumara'
Julia Lonergan
Computing Research Laboratory (CRL),
New Mexico State University (NMSU), Las Cruces, New Mexico, US
INVITED TALK VI:
PANEL SESSION (ON ARAN ISLANDS, "INIS MOR"):
(Chair: Conn Mulvihill)
10.00 `Creativity: stone and lava'
Stephen Nachmanovitch
Free Play Productions, Los Angeles, US
10.30 Refreshments break
(Chair: Conn Mulvihill)
11.00 `The analogical foundations of creativity in language,
culture & the arts: the Upper Paleolithic to 2100CE'
Sheldon Klein
Computer Sciences Department & Linguistics Department,
University of Wisconsin, Madison, Wisconsin, US
12.00 Workshop Tour: Aran Islands ("Inis Mor") (PACK LUNCH)
(Return approx. 9.00 PM)
(Chair: Conn Mulvihill)
3.00 Panel Discussion: `Language, vision, music & creativity'
Participants: Riccardo Antonini, Jerry Griswold,
Francisco Camara Pereira, Sheldon Klein, Julia Lonergan,
Paul Mc Kevitt, Stephen Nachmanovitch, Se/an /O Nuall/ain,
Gerard Sabah, Ipke Wachsmuth
9.00 Workshop Close
CSNLP-8 POSTERS
`Generating /p/,/t/,/k/ consonants by a physical modeling of
musical percussion'
Patrick Fourcade and Claude Cadoz
Laboratoire CLIPS - IMAG,
ACROE - Ministere de la Culture, Grenoble, FRANCE
`Dissociation of music and language processing in a case of global aphasia'
Harriet Read & Rosemary Varley
Department of Philosophy & Department of Human Communication Sciences,
University of Sheffield, ENGLAND
`Rising-falling contours in speech:
a metaphore of tension-resolution schemes in European musical traditions?
evidence from regional varieties of Italian'
Antonio Romano
Queens University Belfast, N.IRELAND
`The relationship between the imitation and recognition of non-verbal
rhythms, sequential processing and language comprehension'
Dilys Treharne
Department of Human Communication Sciences,
University of Sheffield, ENGLAND
Creativity Panel Paper
`Is creativity algorithmic?'
Conn Mulvihill, Micheal Colhoun, Josephine Griffith, Colm O'Riordan
Information Technology Centre, National University of Ireland, Galway